But keep in mind, it's important not to adjust amplitude before correcting DC offset! If you've already corrected your DC offset, you can move onto normalizing the amplitude between tracks. The second option is to normalize your peak amplitude to -1 dB - or whatever value you want.
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Pro tip: Because DC offset can throw off other aspects of editing, we suggest doing this step before applying amplitude to the track. This detailed walkthrough can help you enable the setting in your version of Windows. Some new PCs might have a DC offset cancellation feature when you record from the device's built-in inputs. Checking this box is all you have to do to avoid offset. If you go back to your track, you'll see the 0.0 mark, and you always want that to be in the middle. If the DC offset isn't on 0.0, it can distort your audio and not leave enough space for other effects. The first option it gives you is to Remove DC offset and center on 0.0 vertically (don't worry, this isn't as complicated as it sounds.) Moving the DC just means making sure your waveform is on the 0.0 line. In this menu, Audacity will give you a couple of options. You can also select multiple tracks and normalize them all at the same peak level.įrom there, go up to the Effect tab on the top of your screen and click Normalize. You'll notice the track's color change in the background, so you know you've selected the entire thing. You can press Cmd + A or Control + A to select the track. So here we have a track we imported into the workspace.
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Now that you understand the situations in which you'd need to normalize your audio, let's look at the different normalization components and how to add the effect within Audacity. If the volume is too low, you might not even see the waveforms or hear the content, making editing pretty close to impossible. Amplifying your audio quickly fixes all these problems! The other reason you would normalize audio is that your audio recording isn't loud enough. The last thing you want is to record a voiceover that's way louder than the clip that comes after it, or vice versa. You can use the Normalize tool to make sure one is not too loud or soft. Let's say you have an intro music segment, a narrated segment, and an interview section you want to all be at the same volume level. To match the volume levels across different clips There are two main reasons you'd want to normalize your audio files, and both situations arise in nearly every podcast edit. When do you need to normalize your audio?
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